Irony (The New Critical Idiom)

INDEX

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Albert, G. 53

Alford, S.E. 48

allegory 7, 108–10, 126, 128, 179

anti-humanism 48, 87

Apel, K.-O. 56

Aristophanes 1, 6

Aristotle 6, 8, 40, 41, 45, 54

assemblage 141–2

Athenaeum 47

Auden, W.H. 28–9

Augustan satire 93, 113, 119

Austen, J. 10, 92, 145, 160–1

Austin, J.L. 183

Ballard, J.G. (Crash) 157

Barthes, R. 179–80

Beckett, S. (Endgame) 136–7

Bede 5, 9

Behler, E. 47

Bible, irony in 5–6

Bildung 48, 69, 179

Blake, W. 57–9, 60, 64–6, 76, 78–80, 92, 125

Blissett,W. 15

Booth, W. 15–18, 41–4, 46

Borges, J. L 4–5

Bowie, A. 71

Boyle, F. 89

Bradley, A.C. 4

Braidotti, R. 158

Brooks, C. 19–20

Browning, R. 43

buffoonery 50–1

Butler, J. 126–30

Byron, G.G. 71;

Don Juan 76–7, 90–4, 112–20, 125, 140–1

Camery-Hoggatt, J. 6

Carter, A. (The Bloody Chamber) 168, 169–76

Chaucer, G. 8, 9, 10–11, 12, 13

Cicero 7, 8, 9, 16, 23, 38–9, 41, 45–6, 68, 93, 112

Coleridge, S.T. 66, 91, 125

concepts 61–2, 64, 102–3, 105, 107^, 124–5, 128, 138, 173

contradiction 53–61, 99–100, 165–7, 177

cosmic irony 13–14, 15, 22, 179

de Man, P. 100, 107–10, 119, 122–3, 125–30, 134–5, 138, 149, 173, 179

deconstruction 20–1, 94, 97–8, 103, 107, 108, 171–2, 180

Deleuze, G. 130, 131–44, 147–52, 169, 174–5

Derrida, J. 21, 30, 40, 94, 95–8, 101–8, 119–20, 122–4, 143, 156–7, 169, 174–5, 180

Descartes, R. 74–5

Diderot, D. 47

différance 102–6

Dollimore, J. 4

Donatus, A. 9

Dostoevsky, F. 56

Drakakis, J. 4

dramatic irony 14–15, 22, 180

Duke, P.D. 6

Dworkin, A. 167–8

Eagleton, T. 70

Eco, U. 18

Elizabethan world-view 4–5

Eliot, T.S. 10, 19

Elliott, R.C. 114, 183

Ellis, B.E. (American Psycho) 157–8

Ellmann, M.

English Romanticism. 47, 48, 57, 75, 125

Enlightenment 46, 47, 80, 81–82, 114–15, 124

Erasmus 5

Eros 28, 32–4

Felix Culpa 49

Foucault, M. 40, 73, 179–80

Fowler, H.W. 20

free-indirect style 160–4

Freud, S. 30

Garber, F. 92

Gearhart, S. 108, 110

genealogy 99–100

German Romanticism 39, 46, 47–64, 73, 78, 80, 90–1, 109–10, 125, 146–7, 149, 182–3

Goethe, J.W.v. 47

Good, E.M. 6

Green, D.H. 9–11

Greenblatt, S. 4, 144

Guattari, F. 130, 131–44, 147–52, 169, 174–5

Habermas, J. 155

Hadot, P. 30

Hallward, P. 120

Hamacher, W.

Hamlet 144

Handwerk, G. 18, 19, 70

Hartman, G. 52

Hassan, I. 18

Hazard, P. 115

Hegel, G.W.F. 70

Heidegger, M. 72

Homer 7, 13, 36

Horace 117, 183

humour 50–1, 132–9, 148–52

Husserl, E. 54

Hutcheon, L. 18, 44, 158–60

Ideas/Eidos 30–3, 52, 61, 111, 133–5

Irigaray, L. 30, 168

Isidore of Seville 9

James, W. 182

Jameson, F. 181

Jena Romantics 47–64

Johnson, S. 18, 19

joke 50, 54

Joyce, J. 5;

Dubliners. 161–4

Juvenal 117, 183

Kafka, F. 139, 143

Kant, I. 62–3, 81, 124, 135, 184

Keats, J. 67–8

Kennedy, G.A. 7

Kierkegaard, S. 6, 29–30, 44

Knox, D. 9, 11–13

Kofman, S. 30, 100

Lacoue-Labarthe, P. 53, 59

Lang, C. 18, 37–8, 40, 41, 44, 45

Lefebvre, H. 7

Levin, H. 69

literary history 3, 115, 122, 139–47

Lovejoy, Arthur O. 4

Lycos, K. 35

Macbeth. 15

Mann, T. 30

Marx, K. 70

McCann, J. 70–1, 78, 90–4, 115–20

medieval irony, 5, 7, 9–13

Mellor, A.K. 48, 78, 90–2

Melville, H. 139

metaphor 25, 51, 99, 124

Mileur, J.-P. 18, 120

Miller, J.H. 13, 166

modernism 160–2

Moretti, F. 148

Muecke, D.C 15, 20–1, 22, 41–2, 44

Nancy,J.-L. 53

nature 48–9

Nehamas, A. 6, 30, 36, 40, 41, 44

New Critics, American 19

new historicist criticism 4

Nietzsche, F. 30, 38, 40, 59, 60, 98–102, 184

Novalis 47, 53, 53

novel 69, 145, 146

Oldmark, J. 161

Orwell, G. (Animal Farm) 179

Paradise Lost 13, 66

paradox 53

parody 3, 54, 71, 74, 115, 127, 128, 129, 145, 153–76, 183

Peirce, C.S. 182

performative, critique of the 100, 126–30, 179, 183

Plank, K.A. 6

Plato 2, 6, 12, 22–36, 46, 49, 61, 63, 74, 102, 111, 134;

Symposium 30–7, 63

Poiesis 50–3, 182

Pope, A. 75, 93

pornography 167–8

post-colonialism 120, 158–9, 178, 184

post-modernism 1, 2–3, 18, 37, 45, 46, 70, 120–6, 150–2, 153–78

post-structuralism 37, 42, 47, 70, 95, 110, 121, 168–89

Praxis 36, 44, 50, 53, 94, 182

Pride and Prejudice 145, 160–1

Quintilian, M.F. 1, 2, 7, 8, 9, 16, 45

Rawson, C. 88

reason 47, 55, 59–60, 65, 81–9, 101, 104–5, 1l6, 124, 148, 156, 159, 167–8

Renaissance 4–5, 7–8, 9–13, 45, 144, 146

rhetoric 7, 35, 36, 37–9, 41, 45–6, 90, 128, 182

Richard II 144

Richards, I.A. 19–20

Robinson Crusoe 145–6

Romanticism 7, 13, 22, 46, 48, 58, 69–71, 73–80, 89–90, 110–14, 117, 146–8

Romeo and Juliet 11, 123

Rorty, R. 121, 129, 154–8, 177

St Claire, W. 69

satire 50, 71, 78, 83, 87–9, 90–4, 112–19, 132, 139–45, 148, 183

Schlegel, A.W. 47–64

Schlegel, F. 47–64, 68, 69, 73–4

Searle, J. 15, 41, 42, 44, 46, 64, 97, 183

Sedgwick, G.G. 14

Shakespeare, W. 4, 5, 8, 10, 12, 13, 15, 47, 64, 73, 144, 146;

Hamlet 144;

Macbeth 15;

Richard II 144;

Romeo and Juliet 11, 123;

Tempest, The 146

Shelley, M. 67, 123

Shelley, P.B. 66–7, 91

signifier 124, 131–3, 140–1, 143, 175

Sim, S. 18

Simpson, D. 48

Sinfield, A. 4

Socrates, Socratic irony 1, 2–3, 6–7, 8, 10, 22–40, 45–6, 52, 53–4, 61, 66, 68–9, 73–4, 80, 93, 98, 99, 101, 103–4, 107, 112–15, 128, 134, 137, 145, 153, 154, 165

Solger, F. 47–8

sophistry. 23–5, 30, 35, 104, 107, 128, 129, 134, 183

Sophocles 14–15

speech acts 92, 183

Spencer, T. 69

Spivak, G. 184

‘strategic essentialism’ 168, 183–4

structuralism 103–4, 108, 126, 129–30, 132

subject, subjectivism 20, 52, 72–6, 100–1, 107, 110, 115, 119, 121–4, 125–30, 131–44. 146, 147, 148–50, 171–2, 176, 179–80, 184

Swift, J. 17;

Gulliver’s Travels, 59–60, 80–9, 114–17, 145, 148, 151

Symposium 30–7, 63

Tarantino, Q. (Reservoir Dogs) 157–8

Techne 27, 37, 45, 184

Tempest, The 146

textuality 107

Theoria 36, 52–3

Thirlwall, C. 14

Tieck, L. 47

tragic irony 14–15, 22, 179

Virgil 7

Vlastos, G. 7, 23, 27–30, 35, 37

White, H. 3

Wilde.A. 18

wit 50

Wittgenstein, L. 179

Wittreich, J.A. 13

Wordsworth, W. 19, 71, 75–6, 91, 125, 140

writing 95–7